For Michael Sicinski, Jay Rosenblatt's films “occupy a space within a hypothetical Venn diagram, between the avant-garde cinema of Conner, Lipsett, Craig Baldwin and Phil Solomon on the one hand, and the independent essay-films of Alan Berliner, Lynne Sachs, Deborah Stratman, and Caveh Zahedi on the other.”

For Michael Sicinski, Jay Rosenblatt's films “occupy a space within a hypothetical Venn diagram, between the avant-garde cinema of Conner, Lipsett, Craig Baldwin and Phil Solomon on the one hand, and the independent essay-films of Alan Berliner, Lynne Sachs, Deborah Stratman, and Caveh Zahedi on the other.”

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